Review: The Pawn

"Daxton offered me his arm, and I had no choice but to take it."

Pawn (Blackcoat Rebellion #1)
Aimee Carter
346 pages
goodreads link

Rating: 4.5

WHAT I EXPECTED:

I was bored, the kind of bored where nothing really seems appealing. I figured a nice YA dystopia would be just what the doctor ordered and I'd heard decent things about Aimee Carter's other books. Take a tyrannical government, marinate it in an oppressive system of rules, add just a pinch of science fiction, garnish with romance and serve on a bed of rebellion. Yum.

WHAT I GOT:

I stayed bored. There are other flaws, but that one is the most egregious.

Kitty lives in a future dystopian Washington, DC. America is essentially a monarchy and all citizens are classified according to a standardized test they take at seventeen. It dictates where the live, where they're allowed to go, what their jobs are, etc. Kitty's smart as hell, but she's majorly dyslexic, so her test doesn't go too well. She turns to prostitution, but instead gets picked up by government officials who tell her she'll be rewarded if she agrees to help them out. Kitty agrees, only to find out that by "help out," they meant be surgically altered to take the place of the prime minister's niece so no one finds out she's dead. Politics ensue.

It's not the most novel concept, but more has been made out of less. Unfortunately, it reads like Baby's First YA novel. Everything is shallow, there's no nuance or subtlety. At one point, a character sits down and spells out the titular chess metaphor for anyone who anyone who might have missed it (get it, a pawn can become a queen if she makes it across the board!). The politics are a little too juvenile be plausible and the antagonists are way, way too obviously evil- I mean, seriously, the prime minister can't just be a dictator? He has to hunt humans for sport too? My eyes nearly rolled out of my skull when I read that.

For the first time in my reading history, I wish Carter hadn't avoided the obvious love triangle, because at least it could have introduced some passion. Kitty herself isn't half-bad- I love a protagonist who makes logical, reasoned decisions- but her loyal boyfriend is blander than dry pasta.

Carter does get points for a few major twists that I honestly didn't see coming. At each one, I thought "oh wow, this is it, it's going to get interesting now!" But then...it wouldn't. Those sparks of light never really caught fire. In her defense, I think the biggest (and best) twist is likely to be addressed in future books, which would have been fine if this book was compelling enough to keep me waiting around for the sequel.

There's probably more I could describe about some of the side characters, the "My Fair Lady" portion of the story, but...I just don't care. I have no idea why this book is earning such high ratings. Some things were better, some things were worse, some things were more engaging, some things I wanted to end so we could move on. I read it, it passed a couple hours, it ended. Carter's ideas made for a good foundation, but I wish someone else had built the actual house.

Review: Perfect Ruin

"Would the people of the ground think Interment is a paradise, or a punishment?"

Perfect Ruin (Internment Chronicles #1)
Lauren DeStefano
356 pages
Summary Link

Rating: 7

WHAT I EXPECTED:

I liked Wither, DeStefano's first book, though I didn't love it. I thought her second book was much stronger, but I wasn't invested enough in the characters to finish the trilogy. I wasn't especially excited about this new book, particularly because the blurb feels so generic- girl in dystopic society, tries to live quietly in her planned out life, meets dangerous new boy, predictable drama ensues. I expected a CW teen drama TV show. I've been sick all weekend though, and bored with my other reading options, so I decided to give it a whirl.

WHAT I GOT:

It's rare that a blurb makes a story look worse, but this one did. Against all my assumptions, Perfect Ruin is a jewel of a book.

Everything written in the summary is technically correct. Morgan Stockhour is indeed a teenage girl living in the floating sky-city of Internment. Her life there is generally calm and pleasant, with her best friend and her betrothed, but Morgan can't quite let go of thoughts of what must lie on the forbidden ground far below. Then a murder rocks the city, Morgan meets the boy who stands accused, and is drawn further into the secrets of the city.

I was pleasantly surprised when DeStefano avoided the cliches I assumed were coming, particularly the oh-so-obvious love triangle. Instead of taking a bite out of that poisoned apple, she decides to build believable characters with multifaceted relationships. The people don't feel like macguffins there to move the story forward or add romantic drama, they feel like people with histories whose decisions are motivated by their pasts and personalities (you know, like real people). Plus, I felt an inexplicable love for the bizarre-yet-wonderful duo of characters appear in the final quarter.

(I speak, of course, of the Prince and Princess. Maybe it's because I just watched a bunch of The Legend of Korra, but I could not help constantly imagining them as Desna and Eska, despite their objectively being nothing alike. On the other hand, they are both kind of insane, have a weird conversational style, and always hang out together...perhaps a preppy version of them?

You will take me to your rebel machine.

Anyway...)

The exceptions to this are an antagonist whose act of villainy happens too abruptly, and a "dystopia" reveal that happened too unexpectedly (before, I would have categorized this as utopic). They could have been worked out better, and frankly, Internment didn't really need to get dystopic. It's already an island you can't leave, and social/religious mores mean you can't even talk about leaving. That's sufficiently negative without sacrificing subtlety and nuance. We didn't need to be beaten over the head with a literal government conspiracy forcing us to agree that one side is The Bad One.

The true strength of Perfect Ruin, though, is in its prose. It reminded me a lot of Lauren Oliver's Delirium, another story carried by the beauty of its writing. Like in Delirium, DeStefano succeeds in making you feel the emotions of the main character. Morgan is haunted by the fear that their world might be too small, that she'll one day go mad like her brother and try to jump. She's worried that it's never going to be enough. DeStefano also deftly interweaves the story with the religious beliefs of Internment's inhabitants, how they pray to the God of the Sky to keep them safe and tell stories about figures like Micah and his Boat of Stars. There are words here that go right into your heart; I kept using the highlight feature on my kindle.

It's altogether possible that it's too similar to Delirium- Morgan talking about the edge and her brother could have been Lena talking about love and her mother- but I didn't mind.  The writing is simple and moving and lovely, and it elevates the whole book above most others in the same genre.

Thus, unexpectedly, I'm now upset that I'll have to wait for the next book in the series. Yet another thing to add to my release date calendar.

Review: What's Left of Me & Once We Were

"We'd been born with our souls' fingers interlocked. What if we'd never let go?"

What's Left of Me (Hybrid Chronicles #1)

Once We Were (Hybrid Chronicles #2)

Kat Zhang

343 pages & 352 pages

Rating: 6 ; 6

WHAT I EXPECTED:

YA dystopias may be my jam, but that doesn't mean I love all of them. I've read dozens that I've promptly forgotten five minutes after I turned the last page. It's kind of what I've come to expect. I had slightly higher hopes for What's Left of Me, mostly because I loved the premise. It has a certain high-concept charm. But I wasn't holding my breath.

WHAT I GOT:

It's nice when a story comes along that actually sticks with me. 

What's Left of Me introduces us to Eva and Addie, two souls living inside one body. In their world, everyone is born with two souls, but they're supposed to "settle" and have one soul fade away during early childhood. Addie and Eva never settle; Addie becomes dominant and takes control of their body, but Eva is still there, a secret voice inside her head. Their AU-version of America only allows the single-souled, and hybrids considered a dangerous threat. Addie and Eva spend fifteen years hiding their status, until befriending some fellow hybrids who teach Eva how to assert control again. Unfortunately, they end up getting caught.

First of all, Zhang totally pulls off the premise. The world works. She doesn't go too deep into explaining things, but provides enough to paint a clear picture. The plot is simple, but solid. I liked that she kept it small- no one is trying to save the world, they're just trying to save themselves. It works on a believable level. Nothing about this book overreaches or tries to mask weakness with epic plot or melodramatic romance.  

Zhang also manages to competently juggle a number of characters, most of them living inside the same body. They all had their own unique voices; I felt like if I were living with all these people, I'd be able to tell them apart. I liked Eva and Addie, who are fairly realistic teenage girls, without any particular talents or specialties beyond finding their own courage. Heck, I even kind of liked the main male characters and their relationship, and that's usually where I get the most critical.

What's Left of Me doesn't have towering heights, but it also doesn't have any lows. Overall, Zhang's written a good, steady book. 

(I'm going to talk about the sequel now, but only in general terms. So no real spoilers, but if you don't even want to know any vague plot points, stop reading now!) 

Once We Were picks a month or two after the first book ends and asks "what do we do now?" Eva and Addie learn more about how to function as hybrids, with all the difficulties that entails- particularly with regard to relationships. They also start wanting to do more than simply hide. 

Some reviewers have been referring to this book as "filler", which might be true from a plot perspective, but it's not from a character development perspective. Eva and Addie have to deal with feelings about their own (lack of) bodily autonomy and grapple with questions about morality and rebellion. This book is about their growing up. Plus, the plot felt realistic- they're a bunch of teenagers, the best they can do is fight the only way they can, even if it doesn't actually change anything on a macro-level. I do grant that the pacing in the first half could have been quicker.  

I also wish we had gotten to see more of Addie- though both books are narrated by Eva, this one seems a bit too heavily focused on her. Also, Lissa and Halley strangely disappear as main characters. We did get some new people too- some of them felt extremely under-characterized (I know nothing at all about Emalia, Cordelia, or Warren), but others captured me right away (I want more Sabine and Josie!). I think Zhang's writing is improving too; the addition of a few short, poetic dream sequences really made the story shine. 

I know it's not for everyone, but I'm a big fan of books dealing with teenagers and terrorism. Once We Were reminded me a lot of Animorphs or The Tomorrow War at times, asking those sorts of difficult questions. What are you allowed to do to fight for freedom? Does there have to be a right time? How far is too far? Zhang does a good job depicting Eva and Addie's struggle to find answers, without coming off as overly certain that there is one absolute right answer. 

Between the two books, Zhang has earned my respect. With any luck, the third book will be out next year.

Review: The Bone Season

"As Jax said, better an outlaw than a stiff."

The Bone Season (The Bone Season #1)
Samantha Shannon
480 pages
Summary Link 

Rating: 6.5

+ 10 points to Ravenclaw for coming up with a plausible reason why people in 2059 England would dress like Victorians.

WHAT I EXPECTED:

I hadn't heard the hype for this, so much as I had heard the hype about the hype. Apparently everyone thought this might be the next Harry Potter-type fantasy epic? I mostly avoided caring, because the word "clairvoyant" in a blurb makes me run away almost as fast as the word "dragon", but eventually I grave in. What can I say, I'm a sucker for future dystopias, even though I assumed it would be a fairly boilerplate teen girl paranormal dystopia. Girl has psychic powers, girl gets captured by oppressive government, romance and rebellion ensues.

WHAT I GOT:

By the zeitgeist, you've bloomed like the ambrosial flower you are, right winsome wunderkind! Welcome to the psychic underground of London. Apparently this has already been optioned for a movie, which makes sense since I kept imagining it set the same way as a steampunk-inspired production of My Fair Lady I saw a few years back. Though with more ghosts. And no actual steampunk, thankfully, since it's 2059 and they have proper electronics and guns.

The Bone Season was exactly what I expected in terms of story outline, but...better. It takes the standard body of a YA paranormal dystopia, then dresses it in new and exciting clothes and shoves it out onto the streets of London. It's one of those stories that sucked me right in and I read it straight through without pause, although it's not without flaws. Shannon's unique, interesting alternate-universe London is easily the the best part of the book, and it's obvious she put major effort into it. The downside is that at times she gets carried away and it overflows with confusing jargon. Sometimes it worked and I fell into the rhythm, while other times I was scratching my head trying to remember what a word meant. Other reviewers have used the phrase "overly-ambitious", which is spot on, but that's leaps and bounds better than "boring". Personally, I vastly prefer an author reaching for something new and different, rather than falling back on the same old stuff, even if they can't quite handle their own creation.

Plus, it's always nice to have a female protagonist without debilitating issues. Paige doesn't spend any time bemoaning being a freak or moping about her lot in life; she's damn good her "voyant" crime syndicate job and she knows it. She's not a particularly original or deep character, but she's strong and doesn't sit around waiting to be rescued. The side characters are interesting as heck too, but they don't get enough development...though since there are supposed to be more books, I'll cut Shannon some slack on the condition she flesh them out more later.

What I disliked most was the super-predictable romance (with a gorgeous forbidden special supernatural being, of course), but if I complained too much about that sort of thing I could never read any YA books ever. It also doesn't come into play until the very end of the book, which is nice, though I'm not sure how much it will piss me off in future books. At least it's not a love triangle. And, to be fair, there wasn't anything objectively wrong with how Shannon handled it, I think I've just overdosed on the whole concept.

The Bone Season practically oozes potential, but only time will tell if it'll live up to it. If Shannon works hard and develops as a writer, she could have a major blockbuster on her hands. On the other hand, if she loses the threads, it could all fall apart by book three. Seven volumes are a lot to manage and it'll take serious chops to pull off, but I'm definitely looking forward to the next one.

Review: The Burning Sky

"When you will have done what you need to do, you will have lived long enough."

The Burning Sky (Elemental Trilogy #1)
Sherry Thomas
464 pages

Rating: 4.5

Magic! Not ghosts, parallel universes, psychics, glamours, fae, or paranormals, but wand-wielding, spell-casting, Latin-adulterating, Hermione-would-be-proud magic! I never realized how much I missed it until the first few chapters of The Burning Sky. Don't get me wrong, I enjoy all those other fantastical concoctions, but sometimes you just want a good old-fashioned Wingardium Leviosa!

Unfortunately, The Burning Sky couldn't live up to its own promise. It seemed to be heading down a great road. British boarding schools? Girls pretending to be boys? Evil kingdoms to overthrow? Strange beasts and super-powerful mages? I'm there. But Thomas tries to weave in too many threads and ends up dropping half the stitches.

Iolanthe Seaborn is, as described, a supremely powerful elemental mage living in a the magical kingdom of the Domain. The Domain is technically ruled by Prince Titus, but he's just a figurehead, as the oppressive Atlanteans are really the ones in charge. Titus know he's prophesied to be the one to protect and guide Iolanthe, and she'll eventually overthrow Atlantis and free the country. But he didn't know she was going to be a girl. Their lives become intertwined and thus begins the adventure.

It's pretty straightforward stuff, but Thomas starts strong. Iolanthe may be powerful and outwardly kind and carefree, but she's been secretly covering for her drug-addicted guardian for years and its taken its toll. Titus is a refreshing subversion of the standard prince-character: his outward selfishness and who-cares-about-my-people-I'm-rich attitude are just a cover for his plan to sacrifice his life to save his country.

The narration alters between them, which I think is the first major misstep of the book. Either would be enough separately, but trying to cover both of them doesn't work. Titus is the much more interesting character and I wish Thomas had written the book solely from his perspective; plus, then we'd have the novelty of reading a YA book with a male protagonist and subverting the expected tropes by telling the hero story from the mentor perspective. Instead, the more subtle, interesting characterizations are quickly lost in a muddle of Iolanthe's irrational anger toward the Prince because he thinks he trapped her (even though she's being hunted by the Atlanteans?) and the Prince's moping about how he's in love with her (and makes a fake version of her in a training exercise so he can kiss her??). Their insta-love doesn't even stand out, since most developments in the book appear out of nowhere when the plot demands it.

This problem is constantly repeated: Thomas brings in too many topics that would be interesting individually, but are strangled by all clutter around them. Iolanthe is in hiding as a boy at Eaton, they have a magic book that makes a training world, Titus's mom left a book of prophecies, Iolanthe's guardian gave up his memories, a crazy lady might have the memories but then later she's not crazy, the Atlantean inquisitor is evil, she's also a mind mage, the inquisitor works for someone even MORE evil who's also immortal, Titus's mother was involved in an uprising, Iolanthe is also an athletic cricket prodigy, insert random training sequence that accomplishes nothing, the magic training book has even more magical abilities, there's an oracle for more prophecies, bullies at the school, a ball, on and on and ON. The story never has a chance to breathe. Instead of nurturing the original sprouts, Thomas just keeps planting new seeds every time she wants to move the story forward (I'm just using metaphors all over the place today).

Plus, what happened to the ending? Nothing the book spent time on ended up mattering much at all. I found myself skimming the last chapters so I could finally be done.

I don't understand the effusive praise for this book at all. I feel like everyone read something completely different. I want to have read that book, with the beautifully crafted blending of historical and fantastical and a romance to make your heart swell. Maybe it's in disguise on a boarding school bookshelf somewhere.

Review: Earth Girl

"The polite people would call me Handicapped, but you can call me ape girl if you like."

Earth Girl (Earth Girl #1)
Janet Edwards 
358 pages

Rating: 5 

This book is okay. It's not terrible, it's not offensive, but it's certainly not outstanding or sensational like some people seem to believe. The reviews of this book are a textbook case of people's tendency to overinflate ratings. You can rate things below "outstanding", people, it's all right. Sometimes things are just fine.

Jarra, our protagonist, is handicapped: stuck on Earth in a future where almost everyone got the hell off the planet if they had the chance. The rest of the galaxy looks down on her kind as primitive relics, but Jarra isn't having any of that- she decides to apply to an off-world university (that holds its first-year courses on Earth) and not tell any of her classmates she's an "ape". She invents a fake backstory for herself and sets to work studying archaeology and digging up the ruins of old New York. Obviously, issues ensue, as Jarra struggles against prejudice against her and also her own prejudice against the "norms". There's also a whole ton of stuff about how people in the future conduct archaeological digs.

The best parts of this book involve the world building. I love far-future settings that still involve Earth, and I feel like there aren't enough of them- usually when we're this far in the future, it's always in a space-exclusive or distant-planet setting. I loved the concept of portal technology, the inevitable Earth exodus, and what it would be like to be trapped on a planet during a space-faring age. It's what Edward's loves writing best (well, that and how to conduct futuristic archaeological digs), and it shows. The main reason I kept reading was to learn more and more about the galaxy Edward's has crafted.

It's also a refreshing divergence from the standard relationship archetype that abounds in YA lit these days. Sure, there's a romance, but it's realistic- a girl and a boy meet because they share interests, become friends, have some issues, start dating, have problems to work through. There's no ridiculous insta-love or undying, forbidden passions. Plus, Jarra is flawed in real ways, not in "she's quiet and shy because she thinks she's plain but is secretly amazing" ways. She can be kind of obnoxious and has a lot of justifiable issues given the prejudice she faces, but she's also smart and works had to be good at what she loves.

The main problem with this book, though, is that the writing...just isn't very good. It's not that bad- there are no grammatical errors or egregious statements, I never rolled my eyes at a stupid line (well, except when Jarra spontaneously goes crazy half-way through) but it's just...fine. The whole thing has a bit of an "uncanny valley" feel to it, where it's hard to put my finger on it but everything is just a little bit off. Phrases get repeated a few too many times. The non-Jarra characters are very two-dimensional, the "races" are excessively stereotyped, the dialogue feels flat, emotions are slightly over-explained, motivations are a bit overly simplistic, and problems and resolutions too quick to arrive and change. There's no depth to anything. Events also just sort of happen and then keep happening; some of them seem like they should be more climactic than others, but the writing can't convey any shift in intensity. I wasn't surprised to learn that Edward's apparently used to write technical documents before switching to fiction.

I'm reading the sequel now, which continues in much the same way (though Jarra ends up in more unrealistic situations- I don't care if she's an archaeology prodigy with a unique perspective, there are whole schools of archaeologists on future-Earth who aren't 18 year old freshman who would be more qualified than her). The world is interesting enough to have kept me reading, and it's a calming enough way to kill a few hours before bed when I'm too tired to read another book. Just don't expect five stars.

(In meta-news, it's occurred to me that I want to get back into writing reviews, so there should be more forthcoming instead of another ten months of nothing! Chemistry homework notwithstanding.)

Review: What I Was

"But would you listen if I told you how quickly time passes?"

What I Was
Meg Rosoff
224 pages

Rating: 6.5

It occurred to me the other day that if I really did love Meg Rosoff, maybe I should read more than one of her books. I'd only read How I Live Now (which is a masterpiece, to be sure) but she's written six other books. I'm not quite sure why I never got around to them before, but it's high time to remedy that.

What I Was is a very simple story. It opens with H, our narrator, explaining that he's a hundred years old and wants to tell us about a time in his life that changed everything. At the age of sixteen, he was shipped off to St. Oswald's boarding school for boys on the coast of England. H is smart, but not really good at anything. He hates the imprisonment of school but lacks the skills or knowledge to imagine anything different. But then he meets Finn, a boy living alone in a hut by the sea, and sort of falls in love with him. Their friendship changes the course of H's entire life.

I know what the summary sounds like, but this book went none of the directions I was expecting. It's not a love story in the classic sense, nor a romance (especially not in the way I expected). It's a coming-of-age story, both about H, and also, to a lesser (more surprising) extent, about Finn.

Rosoff is, of course, a beautiful writer. One of the reasons I was attracted to this book now, after putting it off for so long, is that I'm sick of YA plot. Don't get me wrong, I love YA, but they can get so repetitive and tiresome- there's a main character, they have a Problem, they meet A True Love, they Fight Something Against Them, etc. It's lacks a certain "literary-ness". Rosoff may be YA, but this book is literature. It's lovely and haunting and moving.

It's not perfect though. What I Was feels disjointed in parts, like we're viewing random scene's from H's life without comment. It also has feels very emotionally confused at times- the parts of the story that you'd expect to be powerful and moving feel glossed over, as though they just happened in passing. A character death feels like it's the same "volume" as a school play. I'm also not a huge fan of bits of the ending- I don't quite understand what happened in the years between H's days with Finn and his 100-year-old self. Incidentally, when I read the book, I accidentally skipped the last chapter. The penultimate chapter ends on such a perfect note that I assumed the remaining pages were author's notes and didn't notice until the following day.  

I do wish Rosoff had given us more time with H at the end of his life, speaking to us from a world in which rising seas have eaten away at the land. Her writing is at it's best there, evoking bittersweet emotions about time and loss. What I Was was apparently inspired by A Separate Peace, but I've never read that so I can't comment on the similarities. What it did most remind me of though was Margaret Atwood's The Blind Assassin.  When H says "Time erodes us all", he's tapping into the same essence as Atwood's "Time rises and rises, and when it reaches the level of your eyes you drown." They're writing about history, the choices in our lives that shape us, and what remains if there's no one left to understand how it all came to pass.

Review: The Hunt

"When you're craved, you go extinct."

The Hunt (#1 in a series)
Andrew Fukuda
304 pages

Rating: 3

A YA vampire book where the vampires aren't beautiful and brooding, but instead a frightening nightmare species? And our beautiful human protagonist doesn't fall into a ~doomed love~ with one of them? When I first heard about The Hunt, it sounded way too good to be true; finally, a vampire story that didn't instantly read like a list of stupid romantic cliches. Plus I do so enjoy gladiatorial "let's murder kids for entertainment" stories.

Alas, it was too good to be true.

Gene, our teenage protagonist, is the only human left alive and free in a world run by vampires. He survives by blending in, spending his days at school desperately trying not to sneeze or twitch to give away his human status. He's made it to high school, but then gets selected to participate in a super-rare bread-and-circuses spectacle, hosted by the mysterious "Beloved Ruler"- a human hunt! All the sudden attention makes it increasingly difficult for Gene to pass, and complications ensue. He's infatuated with a beautiful classmate, he realizes the humans they'll be hunting aren't just dumb cattle, and the media wants to give him a book deal. How the heck is he going to survive this?

I've made it sound like a comedy- though now that I think of it, I think this book would have worked much better as a parody- which isn't really the case. It's serious and grim, but unfortunately, Fukuda lacks the writing chops to pull it off.

To Fukuda's credit, the vampires in this book are not normal people with a tragic aversion to light. They're disgusting and alien; they sleep upside-down, they melt into pus in the sun, they are driven into an insatiable blood lust by the scent of a human. Imagine if the first time Bella cut her hand in class, Edward ripped off her arms and devoured her alive.

Unfortunately, this ties into first major flaw of the book: the world building doesn't make sense. Are the vampires another species? Humans apparently become vampires if bitten or scratched, but the vampires aren't ageless (but might be immortal?), and reproduce by having babies. Fukuda tries to make them seem even weirder, by giving them an entirely different range of physical expressions (scratching a wrist instead of laughing, etc), which is good when it works, but when it doesn't...woo boy (two words: armpit sex). Not to mention, why is technology at such a weird level? They have touchscreen computers but ride horse-drawn carriages? And what does "heper", vampire slang for human, even mean?

Plus, the general premise doesn't make sense. Why blend in? The risks are so insanely high, not that Gene makes them any easier for himself. Why be on the swim team if goosebumps would give you away? Why play spin the bottle with your vampiric classmates? There's also a nearby desert waste, know as "The Vast", that vampires hate to cross- why didn't his family gather up supplies during the day, take some horses and try to see what's on the other side? Or just secretly live out there and steal supplies? Heck, why not become a vampire and finally fit in just like you've always wanted?

Beyond our weirdly dumb protagonist, the vamps are all just set pieces labelled "antagonist", and even the humans lack dynamic qualities. In their defense, we don't spend a whole lot of time with any other humans in the book, so they haven't had time to flesh-out. The main female character does stand on her own, and there's a genuinely sweet moment between her and Gene bonding over shared human twitchiness. She's also smarter than Gene; frankly, the book should probably have been about her. Bonus points for having no love triangle in sight (yet).

The plot itself isn't bad. There is some genuine tension in watching Gene desperately try not to get caught, and I was truly surprised at a certain "oh shit" moment. I also didn't see the final twist coming, but I suspect that's more because I'm an idiot rather than it being clever. Mostly though, it's pretty predictable. That's not inherently bad- I mean, we all knew Katniss wasn't going to die in the Hunger Games- but without compensating by pulling me into the story or the characters, getting to the end felt like a chore. I had been hoping for intense survival drama, but the hunt itself is anticlimactic and only happens in the last 10% (sidenote: ebooks need to get page numbers). Fukuda also tries to introduce some potential down-the-line political intrigue, but it falls flat.

Tl;dr- This is Fukuda's first book and it shows. The writing is often laughingly melodramatic (Gene refers to swimming underwater as "The Forbidden Stroke") and sometimes weirdly stilted from a lack of pronouns. The Hunt earns a solid participation award for trying, but fails to deliver a coherent, engaging story. But there's definite potential for improvement, so I'll likely be glancing at book two when it rolls around.